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Kitty was associated with the Neo-Romantic movement but is another female artist who curators in the past ignored for her male counterparts.

Born in Highgate, London, Church studied at the Brighton School of Art, Royal Academy Schools (1930-33), and the Slade School of Fine Art (1933-34).

Church had a close friendship with Ivon Hitchens, and for a time was his model. While staying with him in June 1934, at his Suffolk cottage, Hitchens invited John Piper for the weekend. Kitty invited her friend Myfanwy Evans, an Oxford English graduate whom Hitchens also wished to sketch. Piper agreed to meet Myfanwy at Leiston station and was immediately infatuated with Evans, sparking a romance that became a lifelong marriage.

From Kitty, Ivon cribbed her style of painting trees with sweeps of paint and over time he would extend this into his pictures of paintbrush motions of the landscapes. Kittys work had the feel of calligraphy in this way, with confident lines of black making up pictures of the landscape.

During the early phase of her career, Kitty exhibited regularly with the Royal Academy. In 1933, she had her first solo exhibition at the Wertheim Gallery run by Lucy Carrington Wertheim, patron of Christopher Wood and Frances Hodgkins.

Hodgkins painted a portrait of Kitty, Portrait of Kitty West, in 1939, which is now held by the Tate.

Church exhibited with the New English Art Club and showed regularly with The London Group. From 1937 to 1947, she exhibited her work at the Lefevre Gallery. In 1954, she was invited to take part in the exhibition Figures in their Setting at the Tate Gallery. She was invited to exhibit at the National Museum of Wales in 1982. In 1988, a retrospective of her work was held at the Duncalfe Galleries.

Church married Anthony West (son of writer Rebecca West & H. G. Wells) in 1937; the couple had one son (Edmund West) and one daughter (Caroline Frances West).

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